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Directed by : Mick Audsley, Charles Dickens, Kevin Loader, Sarah Crowe, Suzie Harman, Armando Iannucci, Armando Iannucci, Armando Iannucci, Simon Blackwell, Celia Duval

Produced by : Mick Audsley, Charles Dickens, Kevin Loader, Sarah Crowe, Suzie Harman, Armando Iannucci, Armando Iannucci, Armando Iannucci, Simon Blackwell, Celia Duval

Starring : Dev Patel, Peter Capaldi, Ben Whishaw, Tilda Swinton, Gwendoline Christie, Hugh Laurie, Anthony Welsh, Aneurin Barnard, Divian Ladwa, Rosalind Eleazar

Company : FilmNation Entertainment, Film4 Productions, Searchlight Pictures

Release date(s) : 2019-11-07

Running time :119 Minutes

Country  : United States

Language :English

Budget :  $15,600,000

Storyline : If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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Based on Charles Dickens' novel, The Personal History of David Copperfield is the first Armando Ianucci's film I ever watched. I didn't really know much about this movie besides its stellar cast. I'm not the biggest fan of biographical works. Usually, I find them too constricted to the genre's formulas, and if I don't think the protagonist's life is remotely entertaining, then the whole film crumbles. Fortunately, it's not the case of this Ianucci's adaptation. It's one of the most pleasant surprises of the year, I finished it with a massive smile on my face.

David Copperfield's life is portrayed in such a captivating, entertaining, genuine, heartfelt manner, but always maintaining this sort of lightness. There's always something positive coming out of even the worst of situations. Actually, I think that's the best message transmitted to the viewer: it doesn't matter how horrible your life might be at a particular moment, it will only get better if you don't give up, and if you surround yourself with true friends and family. Throughout the runtime, David shares his life with different families and friends, working and living in the poorest and wealthiest places.

His lifestyle changes drastically after each new significant development in his journey to become a writer, and it's such a joy to watch him grow up. From working like a slave in a factory and being homeless to living in a boathouse and eventually in a mansion like a true gentleman, David goes through all of the obstacles life throws at him, learning from them to become a better person. A really nice touch is the distinct names that people call him throughout his life, depending on where he lives/works and who's he talking to: Davy, Doady, Daisy, Trotwood… These might be merely different nicknames for David, but they mean much more. They're a tiny yet efficient detail that remarkably distinguishes his unique lifestyles.

Ianucci and Simon Blackwell do a terrific job with the screenplay, by offering Dev Patel an exceptional platform to shine. The whole cast delivers outstanding performances that elevate the movie in an invaluable way. Patel is an excellent protagonist, and I don't want to diminish his extraordinary display, but he's only as great as his counterparts. Tilda Swinton (Betsey Trotwood) and Hugh Laurie (Mr Dick) form a hilarious couple, deeply important to help David rise from the ground. Peter Capaldi brilliantly portrays Mr Micawber, a family man with immense debts, who teaches young David (impressively represented by Jairaj Varsani) how London works by escaping his creditors.

Darren Boyd and Gwendoline Christie use their physical attributes to interpret the evil Murdstone brothers, who employ extreme, violent measures to educate David. Everyone involved in bringing the Peggotty family to life is as essential as the family's importance to the protagonist. Benedict Wong (Mr Wickfield) shows his funny side once again, as Morfydd Clark is charming enough as Dora Spenlow and Clara Copperfield. Aneurin Barnard (James Steerforth) becomes David's best friend, but his final arc doesn't quite fit the film, in my opinion, prolonging the latter for a few unnecessary extra minutes.

So, as you might have figured, every cast member has a vital role to play in some shape or form. All are incredibly fun to watch, making this two-hour flick flow tremendously well. Technically, the production and costume design are award-worthy. The XIX century streets, houses, and clothes are really immersive, creating a realistic environment, elevated even more by the subtle yet powerful score (Christopher Willis). Seamless editing (Mick Audsley, Peter Lambert) and impeccable cinematography (Zac Nicholson) also help the movie's pacing and even contribute for a few transition jokes.

All in all, The Personal History of David Copperfield is one of the most entertaining biographical works I've ever seen, as well as one of the most pleasant surprises of 2020. It's one of those films that leaves you with a huge smile, from ear to ear. As the viewer, watching David Copperfield's journey to becoming a writer is so captivating and fun, not only due to the humorous screenplay, but mainly because it's such an honest, emotional, genuine story. Only a few minutes in, and I already wanted him to succeed in life. My emotional attachment to the protagonist was so strong that I couldn't help myself drop a couple of tears by the end. I don't have enough words to describe how wonderful every cast member is and how important each role has in David's life. Dev Patel is an impressive lead, but his performance is elevated by the work of his counterparts. It's technically flawless, but the story and its characters make this movie an absolute delight to watch.

Definitely, one of the best films of the year, so don't you dare miss it!

Rating: A-
This has really been a banner year for the period film. We've had Gerwig's spectacular 'Little Women', Autumn de Wilde's wondrous adaptation of 'Emma.', and on television, the bombastic imagination of 'The Great'. Armando Iannucci's 'The Personal History of David Copperfield', even with its flaws, sits beautifully beside them. This film left me giddy with joy, my eyes filled with tears, leaping from my seat with every rapturous surprise and unexpected burst of imagination. It brims over with humanity, humour and heart, and reminds us of the importance of these things for a rich and satisfying life. This is an absolute gem of a film, and one of my favourite of this year so far.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-personal-history-of-david-copperfield-a-rhapsodic-delight-on-taking-ownership-of-our-own-stories

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Directed by : Kevin Smith, Kevin Smith, Kevin Smith, Jason Mewes, Jennifer Schwalbach Smith, Michael Barton, Chris Parkinson, James Laxton, Shannon McIntosh, Sam Englebardt

Produced by : Kevin Smith, Kevin Smith, Kevin Smith, Jason Mewes, Jennifer Schwalbach Smith, Michael Barton, Chris Parkinson, James Laxton, Shannon McIntosh, Sam Englebardt

Starring : Michael Parks, Justin Long, Haley Joel Osment, Génesis Rodríguez, Ralph Garman, Johnny Depp, Harley Quinn Smith, Lily-Rose Depp, Jennifer Schwalbach Smith, Harley Morenstein

Company : Phase 4 Films, Demarest Films, SModcast Pictures

Release date(s) : 2014-09-19

Running time :102 Minutes

Country  : United States

Language :English

Budget :  $2,800,000

Storyline :

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Directed by : Francine Maisler, Noah Baumbach, Noah Baumbach, Noah Baumbach, Douglas Aibel, Kathy Driscoll, Randy Newman, Randy Newman, David Heyman, Goro Koyama

Produced by : Francine Maisler, Noah Baumbach, Noah Baumbach, Noah Baumbach, Douglas Aibel, Kathy Driscoll, Randy Newman, Randy Newman, David Heyman, Goro Koyama

Starring : Adam Driver, Scarlett Johansson, Laura Dern, Alan Alda, Ray Liotta, Julie Hagerty, Merritt Wever, Azhy Robertson, Wallace Shawn, Martha Kelly

Company : Heyday Films

Release date(s) : 2019-11-06

Running time :137 Minutes

Country  : United States

Language :English

Budget :  $19,000,000

Storyline : I wish so badly I could separate the art from the artist, and this is the only reason I cannot give ‘Marriage Story’ the five stars it actually deserves. My own issues with Baumbach aside, however, and it’s shocking to me that a film so simple can be so nearly flawless (I mean this technically too; the film is shot, edited, paced and scored beautifully). Despite how much I cried, it finds beauty and comedy in the tiniest of moments. It’s an ugly portrait of two flawed people and therefore never easy to watch, but it is one of the most rewarding experiences I have had with a film in years. I just hope I never have to experience it myself.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-marriage-story-simply-extraordinary
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I don't even know how to start this review… Marriage Story is one of those movies that stays with me long after I've finished it. I've been thinking about it a lot, and it's undoubtedly one of the most realistic dramas I've ever seen. That's due to the award-worthy performances of Adam Driver (Charlie Barber) and Scarlett Johansson (Nicole Barber), but also because of Noah Baumbach's incredibly layered screenplay. In addition to this, Baumbach is undeniably one of the best directors of the year. With the help of his DP, Robbie Ryan, he sets the platform for Driver and Johansson to shine as the astonishing actors that they are.

Some people watch films to forget their daily issues. Some just want to have fun. Some want to learn more about a particular true story. However, there's not a single person alive who wants to watch a movie and not be able to leave the theater (or, in this case, their couch) entertained. Marriage Story has such an emotionally complicated premise that it's tough to convince people to sit and watch. I mean, who wants to watch a divorce develop throughout more than two hours? Who wants to watch two people who were once in love with each other become the worst of themselves? Yelling, fighting, court, custody, lawyers… It's not exactly an attention-grabber.

I imagine people who went through the same situation getting triggered and remember a phase of their lives that was probably one of their worst. I'm writing this because I've seen some negativity towards people who simply don't want to watch Baumbach's depiction of a depressing event. It's perfectly understandable if anyone decides to skip this one, especially if it hits too close to home. In my case, I've never gone through a divorce (hopefully, I'll never will), and usually I can "enjoy" this type of sad, frustrating, bittersweet films (Manchester by the Sea, A Ghost Story) for what they are, no matter how tragic.

If I had to choose one-word praise: realistic. There's no way around it. The palpable emotions are the main reason why this story works so well. Only people who have never been in a relationship of any kind can't understand the moment when a fight starts to escalate, and the couple begins to say terrible stuff at each other that they don't exactly mean. The exaggeration and over-the-top arguments are part of every couple's life. They can occur due to a hundred reasons related to stress, work, accumulation of little things, or simply because it's just not a good day.

Marriage Story doesn’t deliver a hopeful message or a sweet story because that’s not what divorces are. It’s not difficult to imagine how hard it is to separate yourself from the person you love(d) for years without end, even more when there’s a kid involved in the process. Baumbach could have followed the genre cliches and provide moments of pure happiness, but that’s not something that happens during a situation like this. It’s a heart-wrenching phase to live through, and I believe that this movie is going to be thoroughly analyzed in film school in the next decade or so.

THE scene with Driver and Johansson going at each other exponentially harder and heavier criticism-wise is one of the most emotionally powerful dialogues of the millennium. The raw emotion and the physical movements that both actors can bring into the fight are absurdly impressive. Their chemistry is so inexplicably real. I never, not even for a single second, thought that I was watching fictional characters. Nicole and Charlie can very well be our neighbors or part of our family. Baumbach's use of long takes really elevate every single sequence, allowing the protagonists to move around the set and actually act.

Technically, there's no better acting this year than what Driver and Johansson deliver. Both are always moving and doing a lot of things while giving their lines. Making dinner, drinking tea, going to the bathroom, chopping a carrot, blowing their nose, standing up, sitting down, walking around the room, crying, smiling, laughing… All of this in a single take! Several times!! Scarlett shows more emotion throughout the runtime than her counterpart, but Adam proves why he's the frontrunner at the 2019's Oscars. His restraint when Charlie is trying to be polite even though he's mad, or his explosive behavior when his character decides to finally let go (excellent build-up), are some of the attributes that make his performance my favorite of the year.

Not trying to diminish Johansson's display. Both deliver career-best performances, in my opinion. Both deserve every award that exists. The supporting cast is also impeccable, and I know that Laura Dern (Nora Fanshaw) is probably going to be nominated. Still, the two leads are so engaging and captivating that I couldn't be impressed with anyone else. The only person to rise to the main actors' level is Noah Baumbach himself. With the best screenplay of 2019, he offers the audience an incredibly complex story, filled with subtle details and exceptional dialogue.

He controls the movie's pacing beautifully, and he knows the right moments to insert a little joke to lighten up the dark, depressing mood. My only issue with the film has to do with its replay value. We all have been through this situation: watching a fantastic movie, only once, and never again. Marriage Story is going to be one of those films for me. I love everything about it, but I know the chances of a rewatch are very, very small. It's a profoundly unsettling story, super uncomfortable at times, and I really don't want to go through the sadness and frustration all over again.

All in all, Noah Baumbach delivers what I believe to be its career-best flick, Marriage Story. With the best screenplay of 2019, as well as one the best directions, this is the closest the world is ever going to get to a realistic depiction of a divorce. Scarlett Johansson and Adam Driver also give the best performances of their lives, elevating every single scene, dialogue, argument, or joke. The long takes allow them to shine and actually work as actors, moving around the set and doing domestic/job tasks, while delivering their lines. Technically, both Baumbach and the entire cast are absolutely perfect. It's an extremely emotional narrative, very depressing, sad, and even uncomfortable at times, which might scare some people off, especially if they've been through this. Despite its replay value being affected (a rewatch is very unlikely), it's a phenomenal lesson in storytelling that stays with us long after it's finished. Easily, one of the best movies of 2019. Don't miss it, and try not to cry.

Rating: A
This movie is a thoroughly humane and sensitive portrayal of the painful process that is "divorce". Noah Baumbach, who himself had a divorce with actress Jennifer Jason Leigh, seems to have drawn from his own life experiences for this film. The characters are all balanced and multilayered; the acting of the leads, specially Johansson and Driver, lend a particular personality to their characters. Everyone plays their role to the perfection, even the supporting cast including Laura Dern, Alan Alda, and the criminally underused Merritt Wever. This movie shows how a process as messy as divorce turns two people who love and respect each other into one wishing death on the other. No, they are not bad people , they are just people under "bad" circumstances, and Marriage story drives that point home. Overall: a brilliant movie, and a great way to end the year.
I don't have a kid. I've never been divorced. Or even married. Though I guess I was once a kid myself, I'm not the product of a divorced couple. I'm not even the product of a married one. Everyone I know who has gotten married or had kids did it before I met them, or stopped hanging out with me almost immediately afterward. Everyone I've ever met who got divorced either did it before I met them, or is someone I stopped hanging out with beforehand. So I don't come to the subject of _Marriage Story_ with a wealth of experience, which means it doesn't exactly scream "relatable content" to me.

Let me start where it's easiest and everyone seems to agree: The performances. Everyone in _Marriage Story_ is pretty great, none of the characterisations changed my life, but I get it. As a chance to display what these actors are capable of in a mundane setting where all that matters is their performance, yes, absolutely, _Marriage Story_ has buckets of success.

Outside of this though... I'm not even going to say that it "fails" elsewhere, just that it didn't win me. I like bleak movies, I like movies that make me feel something, even if it's sad. But _Marriage Story_ isn't really that. It poses you the question of whether both Charlie and Nicole are good or bad people, and shows you each from their own and other's perspective. The ending seems to imply that they're good, or at the very least both good and bad (and aren't we all?) but that really doesn't matter very much when we just spent all this time watching both of them be horrible. I know that's life, that's real, that's people, and blah bl-blah bl-blah, but that's little consolation when I've just spent two-plus hours of my life being not at all compelled by a bunch of people being awful. Being awful convincingly, to the actors' respective credits, but in this setting that is not my idea of a good time at the movies.

46%

-Gimly
“I never really came alive for myself; I was only feeding his aliveness.”

I’ve said some harsh things about Netflix movies in the past, but recently I’m starting to warm up to them.

‘Marriage Story’ was absolutely excellent. A devastating portrayal of divorce that can bring out the ugly in people, especially with child custody. But it’s not all doom and gloom. It’s incredibly heartfelt with plenty of humorous moments. I guess you have to find the comedy during the difficulties in life. Lets just say my cheeks wasn’t dry afterwards.

And yes, I wept.

Adam Driver and Scarlett Johansson both gave masterclass performances. And I do mean some power house acting. Driver plays Charlie, a competitive and undaunted theater director that he is very clear about what he wants. Johansson plays Nicole, a mother who’s a delightful presence and loves to play, but is also a dedicated actor. This is the best I’ve seen from Johnasson. Her character delivers a monologue where she’s explains the issues in her life that’s all shot in one take, which brilliantly displays her acting chops where she naturally shifts from emotion to emotion - it was impeccable.

The supporting cast were all fantastic. Lauren Dern, Ray Liotta, Merritt Wever, Julie Hagerty, and Alan Alda were all brilliant and really bounce off the energy from Driver and Johansson. Even the child actor held his own between these juggernauts of actors.

Not only are the performances the strongest element of the movie, but so is the writing. Every character is so uniquely fleshed out that the conflict feels so incredibly raw. It’s one of the reasons why I was so glued to the movie from start to finish. One of the best screenplays of the year.

This is the first Noah Baumbach movie I’ve seen from him and I am aware of his other work, just haven’t got around to watching them. However, I feel like this was the best introduction to him as a director, because he crafted such a sympathetic look on marriage dissolving away. We don’t see the full relationship, but we do get to hear Nicole and Charlie individually describe what their love about each other, while there’s a montage that flash’s through their routine life together with their son. Nothing visually striking in the presentation, but not once did it feel stale.

The score from Randy Newman was terrific and fitted wonderfully with the movie. I loved the aspect ratio as it added a lot to the overall mood of the movie. When the two go head to head in the custody battle - that doesn't mean they’re enemies. They still talk to each other as if they are still a thing. It’s also hard to pick aside, because you understand where each of them are coming from, and even if you do choose, you still feel bad for either one.

Overall rating: Any other relationship movie ain't sh*t compared to this.

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Directed by : Denise Di Novi, Steve Carell, Mindy Marin, Charles Croughwell, Andrew Dunn, Lee Haxall, Dan Fogelman, Ron Bartlett, David Siegel, David Siegel

Produced by : Denise Di Novi, Steve Carell, Mindy Marin, Charles Croughwell, Andrew Dunn, Lee Haxall, Dan Fogelman, Ron Bartlett, David Siegel, David Siegel

Starring : Steve Carell, Julianne Moore, Emma Stone, Ryan Gosling, Marisa Tomei, Kevin Bacon, Analeigh Tipton, Jonah Bobo, Joey King, Beth Littleford

Company : Warner Bros. Pictures

Release date(s) : 2011-07-29

Running time :118 Minutes

Country  : United States

Language :English

Budget :  $50,000,000

Storyline : Really good comedy, following the typical situations but with fresh unexpected turns.

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Directed by : Peter Kohn, David Wasco, Deborah Aquila, Gary Gilbert, Mary Zophres, Sandy Reynolds-Wasco, Austin Gorg, Marc Platt, Mildred Iatrou, Michael Beugg

Produced by : Peter Kohn, David Wasco, Deborah Aquila, Gary Gilbert, Mary Zophres, Sandy Reynolds-Wasco, Austin Gorg, Marc Platt, Mildred Iatrou, Michael Beugg

Starring : Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Amiée Conn, Terry Walters, Thom Shelton, Cinda Adams, Callie Hernandez

Company : Summit Entertainment, Black Label Media, Gilbert Films, Impostor Pictures, Marc Platt Productions

Release date(s) : 2016-11-29

Running time :129 Minutes

Country  : United States

Language :English

Budget :  $30,000,000

Storyline : "To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it."
- Jeff WInger, probably.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._
A very special, memorable film that will be iconic in the years to come.
This is definitely not a movie that I would have chosen to watch all by myself which perhaps explain why I thought it was just surprisingly okay to watch. However my girlfriend absolutely wanted to watch it so I got it. As it turned out my girlfriend had only gone by the number of Oscars and not really looked up what kind of movie it actually was so in the end I was enjoying the movie a lot more than she did.

This movie is pretty much a quite classical Hollywood musical with a non too original story, nice music and dancing. In addition the cinematography is simply excellent. This is the strong point of this movie. The rest of the movie is of lesser interest to me but the cinematography is really, really good. The scene, pictured on the movie poster, were Mia and Sebastian dances and everything in the scene are dark blue tones except Mia’s bright yellow dress is so simple and yet so beautiful.

Everything else about this movie is…okay. Okay acting, okay story etc. As I wrote before this is really not my kind of movie so forgive me for not being overly enthusiastic. I am sure those into these kind of movies cannot understand how anyone can give it less than a full set of stars but hey, different tastes and all that.

I cannot make up my mind about ending. On one hand I am a sucker for happy endings which this one falls a wee bit short on. On the other hand I have to commend the writer/director for not taking the path of least resistance and instead putting together something a wee bit different.

I did feel that a part of the movie was missing though. I would have liked to see the parts where Mia and Sebastian actually fulfilled their respective dreams. Jumping fast forward to the ending like the movie did felt a bit like they either ran out of money or they manage to misplace half the story!

Anyway, I enjoyed the movie more than I thought I would.
**They'd crossed each others life while chasing their dreams.**

I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film.

The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that.

Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs.

Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch.

_7/10_

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Directed by : Hans Zimmer, Amanda Mackey, Ellen Lewis, Robert Greenhut, Miroslav Ondříček, George Bowers, Tim Galvin, Penny Marshall, Penny Marshall, Lowell Ganz

Produced by : Hans Zimmer, Amanda Mackey, Ellen Lewis, Robert Greenhut, Miroslav Ondříček, George Bowers, Tim Galvin, Penny Marshall, Penny Marshall, Lowell Ganz

Starring : Tom Hanks, Geena Davis, Lori Petty, Rosie O'Donnell, Madonna, Tracy Reiner, Megan Cavanagh, Bitty Schram, David Strathairn, Ann Cusack

Company : Parkway Productions, Columbia Pictures

Release date(s) : 1992-07-01

Running time :128 Minutes

Country  : United States

Language :English

Budget :  $40,000,000

Storyline : The Drunk and The Babes!

It's 1943 and Baseball in the states has been decimated by all the men being called up to join the services. Enter the ladies who themselves help to kick start a womens league to keep the Baseball fires burning.

The first thing any prospective first time viewer of this piece should note, is that it's not actually a film about Baseball. It's about friendships, challenges and differing off shoots to the complications of war, it just so happens that it's the game of Baseball that brings it all together!

Directed by Penny Marshall (Big), screenplay by Lowell Ganz & Babaloo Mandel (City Slickers/Parenthood) and featuring Tom Hanks (wonderful as drunken coach Dugan) as the leading male, it's no surprise that "A League Of Their Own" booms with sentiment and no little amount of comedy. It is to me a very rewarding picture, the sort that wants you to chuckle along with it whilst noting the need for human interaction during a troubled time.

The lady actors do great impressions of bona fide athletes, asked to parade in short skirts and entertain the watching public, these gals, led by the always engaging Geena Davis, deliver a sparky picture that never veers into maudlin territory. There are of course some sombre moments, but they are placed nicely by Marshall in the context of the films' events, never trite, they serve more as tender vignettes to run alongside the frivolity on offer.

Ultimately "A League Of Their Own" has achieved its aims come the final credits, its not taxing and its not purporting to be an intelligent look at a period in history. It's asking us the viewers to feel heartened by what we just watched, and just maybe to give those girls back in the 1940s a piece of our respect, job done. 7/10

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Directed by : Juliet Taylor, Howard Feuer, Stephen Hendrickson, Robert Greenhut, Fred Schuler, Charles H. Joffe, Burt Bacharach, Susan E. Morse, Jeremy Ritzer, Steven J. Jordan

Produced by : Juliet Taylor, Howard Feuer, Stephen Hendrickson, Robert Greenhut, Fred Schuler, Charles H. Joffe, Burt Bacharach, Susan E. Morse, Jeremy Ritzer, Steven J. Jordan

Starring : Dudley Moore, Liza Minnelli, John Gielgud, Geraldine Fitzgerald, Jill Eikenberry, Stephen Elliott, Ted Ross, Barney Martin, Thomas Barbour, Anne De Salvo

Company : Orion Pictures

Release date(s) : 1981-07-17

Running time :97 Minutes

Country  : United States

Language :English

Budget :  $7,000,000

Storyline :

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Directed by : James Franco, James Franco, Seth Rogen, Roy Lee, Toby Emmerich, Joseph Drake, Nathan Kahane, Nancy Kirhoffer, Chris L. Spellman, Kelli Konop

Produced by : James Franco, James Franco, Seth Rogen, Roy Lee, Toby Emmerich, Joseph Drake, Nathan Kahane, Nancy Kirhoffer, Chris L. Spellman, Kelli Konop

Starring : James Franco, Dave Franco, Alison Brie, Seth Rogen, Ari Graynor, Jacki Weaver, Paul Scheer, Zac Efron, Josh Hutcherson, June Diane Raphael

Company : New Line Cinema, Rabbit Bandini Productions, Point Grey Pictures, Good Universe, RatPac-Dune Entertainment, Ramona Films

Release date(s) : 2017-03-12

Running time :104 Minutes

Country  : United States

Language :English

Budget :  $10,000,000

Storyline : Maybe not quite the movie of the year I had been led to believe, but hey, it's better than the movie it's about the making of. As much of a chore as it is, I would recommend watching _The Room first_, not as a necessity, just for a better perspective.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._